English words which look like their meaning

So when I was learning to write English, back in the eighties, I used to mix up the symbols b and d. It’s an easy mistake to make – they’re mirror images and I had 24 other squiggles to learn.

Somebody (pretty sure it was my sister or possibly a teacher) helpfully pointed out that the word bed looks like a bed. This was a useful mental reference at the time and remained a curiosity, after the letter confusion ceased to be a problem. Since those early struggles, I have become a happy user of the handwritten English language and have been known to use it on shopping lists, correspondence and tax forms. Yay!

The word bed definitely looks like a classic bed – it has vertical posts at either side and the letter e is the centre.

Much later on I discovered the musician eYe. If you’re a fan of experimental noise music, you’ll know him as a member of cult Japanese band Boredoms. The cool thing about the word eYe is it looks like a pair of eyes with the capital letter Y representing the bridge of the nose. (Cheers to Paul for bringing it to my attention.)

I don’t know if the resemblence between eYe and a pair of eyes is deliberate. But we do know that Boredoms are not your average band, musically and when it comes to novel ideas.

The members of Boredoms are well accustomed to words which resemble their meaning. Japanese has a pictorial writing system called kanji. It also has two writing systems which are not pictorial, but kanji is our favourite today.

Examples of other writing systems which are pictorial:
Chinese
Egyptian hieroglyphics
road signs
washing symbols on garment labels
symbolic buttons on media players.

I tried to think of other examples of this, the bed phenomenon. Here are the next ones I thought of.

I

CD

poo

If the person speaking is a human rather than an animal, machine or deity then I is totally valid. It looks like a human standing up. I prefer a lower-case i because it has a little bobbly head. But you can’t write that in polite company because for some reason I’ve never understood, the personal pronoun must be upper-case. Unlike “me” which can be all lower-case. Where’s e e cummings when you need him?

CD stands for compact disc. But it also stands for a circular shiny thing in our new quest for pictorial English. Obviously the font we choose will have some effect on its resemblence to a physical CD. Can we handle the vertical line down the middle of our CD word? It could be the multi-colour rainbow shiny reflective line. Or it could be part of the “onbody” design as it’s known. I know the letter combination CD isn’t a word but it often behaves like one. It’s on the list.

Poo might cause a problem. It’s valid when it looks like three blobs, the first of which has a streaky line running off it. But not all poos look like that, as any reader of reasonable bathroom experience will know. Let’s add it to our provisional list anyway. Not all beds look like the classic bed, so no use being too strict.

By now I was having some mild fun with this. Which other English words look like their meaning? At first I assumed there would be other people demanding immediate answers to this vital question, as I was. I ran a few Google searches involving “bed”, “words which look like their meaning” and other variations. Not much relevant came up but the original fact about bed. It’s very difficult to do a web search for something if you don’t know what to call it.

Most words in English don’t look like their meaning but there are a few that do. I compiled some lists when I originally starting thinking of this.

As I said earlier, there might be some prior research in this area, but I’m not aware of it. And since I like thinking of names for things, often just for my own use, I gave this subset of English a name. If you combine English and a hieroglyph, surely you get Engglyph.

English + glyph = Engglyph

The word is unique in as much as currently there are zero results for the word Engglyph on Google. It looks foreign, which is nice.

Unfortunately the word Engglyph is not a valid Engglyph word itself. Unlike English, which is! Does English look like its meaning? I think it does. In a linguistic sense, what could be more English than the word English? So English is Engglyph.

I poo English CD. At the moment Engglyph vocabulary is looking a bit limited. But it’s not intended as a useful, complete language.

Here are some more. These are all Engglyph, without a doubt.

Four

sixish

eightish

Four has some letters of unequal shape which nonetheless are four in number. The word four in all lower-case looks different but is equally valid.

It’s a similar thing for the words above with the suffix “ish” – which has to include the precise number too. For example, if I offered you sixish apples then it could actually be six apples. Take it up with a Greek philosopher if you don’t like it. Where’s Plato when you need him?

The following are kind of smug faced ones.

word

noun

letters

These three all relate to written language. I don’t want to dwell on them because this is already getting too meta. We ain’t here for no recursive brainache, we want the pleasing elegance of Engglyph.

All Engglyph words must be nouns.

They have to physically resemble the thing. They can’t be adjectives because adjectives are merely properties of nouns. If you’re interested in words which describe themselves, look up autological words.

That’s a different exercise to Engglyph. Although still a worthwhile and rewarding pursuit. 🙂

Incidentally there are some words which are both Engglyph and autological such as word.

But let’s get back to more examples:

LINES

BOOBs

sA W

look

eels

zig zag

jUg

I am starting to cheat with some of these, by allowing dangly extra bits and streaky lines.

So zig zag has got some zig zags in the zs – but it also has a bunch of extra letters. BOOBs has three pairs of boobs. Just saying. It also has a letter s which disrupts it somewhat. I should say that look is the noun not the verb, as in “a startled look”. The letter o is an eye and the l and k are like sides of a head.

Two household things with handles are the sA W and the jUg. The handles are sA and the g respectively. The j is the spout. After some cheating with capitalisation and spacing, they just about make the list.

There may be Engglyph-style words for other non-pictorial languages (such as your French, Somali, Malay, Welsh or your German). I may get back to you on that.

My own Scrabble victory

You should have seen the Scrabble board tonight. It was violence, pure violence. Sheer lexical brutality. Above this paragraph could be a photo to illustrate my glorious victory – either a snapshot of tonight’s board or something from Flickr maybe, with a classic edition of the board in all its distinctive colours. But I refuse to kowtow to your relentless lust for the visual. You’ll have to content yourself with imagining it.

I’m by no means a veteran Scrabble player. I just got caught up in the whole Scrabble thing – as an indirect result of the buzz around the Facebook app I guess. (On that note, the URL of this blog post is a shout-out to those heady days of 2008.) I don’t think I ever played the Facebook app. It holds no interest for me. Call it a personal foible but for me Scrabble is an unmediated pursuit, very much like poker. It’s physical, it’s haptic. Scrabble involves tiles, racks, the board, a pen and paper. The match is completed in one sitting. Online play would be a completely different game. It would be a sprawling mess, allowing for ridiculous amounts of cheating. Also, it might be there all the time, distracting me from more important things I’m aiming to do, like work. (Or writing this, natch.)

So I’ve been playing the real Scrabble for a while. It’s reasonable to say I’ve been getting gradually better through practice. Most of what I’ve picked up is from playing and losing and learning. I know what to do with an “S” and I’m not about to leave some megapoints open just on a whim. “ZA” is allowed and is short for pizza. Yeah, I know! But it is. You can’t quibble with SOWPODS, the official dictionary. You’re not allowed to play “ZEN” for some reason. On a related theme perhaps, “QI” is allowed and is another way of spelling “chi”, the Chinese concept of a vital life energy.

The margin of 16 points was clear enough tonight. In any field of combat this would be a cause for celebration and reams of bunting. What’s more, I felt for the first time that I was making some kind of breakthrough – not only with Scrabble, but with finding any kind of game to call my own. Quizzes I can do, but otherwise in my life until now I could never claim any notable sporting ability. It’s just not my thing.

In physical sports, for instance, there’s a pattern. Generally I achieve mediocrity and then enter a negative spiral and very quickly settle into a relaxed state of very little ability or, for that matter, concern. I’m happy this way.

Imagine being some kind of sporting jock who took it really seriously! That’s not my style, dude. Tennis would be the worst. Charging up and down, earnestly trying to strike a ball like some pathetic trained animal. Then working up a red-faced fit of pique at the umpire’s decision. What folly. I tried playing tennis once, then immediately felt constrained and wanted to exit the game as soon as possible.

Most of the football matches I played were in school. I wouldn’t have minded being better at football. And I felt bad for the guy who got picked last for the team every time. I would be around fourth or fifth from last. So not really exceptional in my lack of sporting talent either.

Fact remains, if I have a “competitive streak” it has rarely ever surfaced in these kinds of pursuits.

And we’re back at the board of brutality. Recently every Scrabble match I have played has offered a real opportunity of victory. Therefore the victory is the focus and it must not be compromised. In Scrabble, as in life, I’m the kind of guy who cannot abide cheating. In my presence there will be no illegal words, prior dictionary research nor any deviation from the proper rules whatsoever. Last summer I ended up having a debate with somebody who was trying to play “IQ”. (As if that could ever be considered a word!) OK, it wasn’t a debate, it was more like an argument. Call it the unfamiliar feeling of actually being competitive and caring about winning a zero-sum game. I didn’t like that feeling.

Tonight I had a kind of flash-forward, which is like your flashback as a standard movie device except into the future. If I were to work at this Scrabble brilliance then I would have to become the best in the Riverside district of Cardiff. And then zoom out from there. Talent, fame, wealth and comprehensive knowledge of peculiar words awaited. Mostly the latter.

The vision became one of supreme Scrabble ability but I could already clearly see where it was leading. The pinnacle of vocabular skill promised so much. But were I to conquer it, I would feel empty inside. True, I’d emerged victorious in my future imagining: a real Scrabble overlord. Nevertheless, I felt my qi ebbing away.

In order to progress to this final stage and excel at Scrabble, I would have to proceed to the next stage. The next stage is to play more and better people. The training pathways are pretty much set and gradual improvement is almost inevitable, if you have a knack for it. You get some practice with superior players and spend time equipping yourself with heavier and more effective precision armoury, word patterns and the like. The shortest words are a good place to start.

Lists of the two and three-letter words are easy to find. Now and again I’ve tried. But every time I glance at such a list, I immediately question myself. What am I doing? What has my life become? The exercise seems so futile and I cast aside the papers in disgust. (More often than that I close the web browser window in disgust, but that would be to diminish the dramatic effect of this story.)

I know a guy who hates Scrabble. Let’s call him Matthew, because that is his name. He’s an intelligent guy and you could imagine him being quite good. But Matthew hates Scrabble, his body rejects it, because the words don’t mean anything. They’re just collections of letters that correspond to valid English words. It’s therefore a pointless pursuit in his mind. I don’t hold that point of view but I’m beginning to understand it. Especially when considering all this properly. What kind of person learns those words and pursues that kind of excellence? Sure, you could spend extra time learning the actual meanings of the words, but that’s peripheral to the goal of Scrabble prowess. The meaning is not intrinsic to the game. Did you know that there are, say, Asian people who can play the English version of Scrabble to international standard but who cannot understand English with any degree of fluency? I don’t know if that’s true or not but someone told me once and it could be true.

The learning of words is an arms race in which there can only be one winner. That winner could be me. It could! But it could just as easily be someone else. In order for it to be me, I’d have to really desire it and put time and energy into it. In that activity there is no incentive for me. I have this in its right context now. In any given Scrabble match I certainly wouldn’t mind beating you. But I no longer feel the need to beat you. And I don’t care if you beat me.

Incidentally, I also own a brand new Scrabble Yn Gymraeg set. It’s the official Welsh version with a different set of letters. As far as my Scrabble Yn Gymraeg is concerned, I am hopelessly impaired and stand a very good chance of losing utterly. And that retains a lot of appeal.

Sock And Awe Google Analytics (Just A Flash In The Pan?)

sock and awe

After the Bush/Shoe incident, anyone who’d spent even a few moments in eccentric corners of web knew there would be a creative response online. And it came. Wired has a summary of the shoe-inspired games and animations.

So Sock And Awe wasn’t the only Flash game based on the Bush/Shoe event. But it was the best.

Now Alex Tew, its creator, has sold the site as a property on eBay for £5,215. Whichever way you look at it, that’s a good rate for a few hours of work – not to mention the email subscribers he gathered, which were not part of the sale.

Rory Cellan-Jones at BBC News has the details of this high speed micro-start-up.

As Cellan-Jones notes, the site is based on a current affairs event and will now rapidly decline in value. It’s up to the new owners to extract value from it.

But this doesn’t detract from the cheek and verve of Tew and his colleagues. Everything from the choice of name to the design to the speed of launch and then the one-day auction was executed with skill. See also: his Million Dollar Homepage. If you’re curious about his next move in the world of the web, check out Tew’s forthcoming start-up PopJam.

While the Sock And Awe site was being auctioned, I contacted Tew and asked to see the full visitor stats, via Google Analytics. The visitor counts and top countries were already generally known, but I wanted to see precisely what was happening.

Now that the sale has closed and people are chatting about it, the full analytics make interesting reading so I thought I’d post them up here – with first some graphical highlights then the unexpurgated PDF dumps. (“After the jump”, if you will.)

It’s a good case study in site design and branding.


Sock And Awe – Visitors Overview
The bounce rate is high, which for the average site would normally be very bad. (In other words, most people are just looking at the homepage then leaving.) But Shock And Awe is mainly about the homepage, so it’s an exception to most sites.


Sock And Awe – Top 20 Referring Sites (Detail)
Most visits are getting there by typing into the address bar. Far fewer are clicking to come from other sites. This shows the value of having a good web address that’s memorable and easy to spell. Notice I said “visits” rather than “visitors” (uniques). As you can see from the New vs. Returning PDF, 13% of them are repeat visitors, presumably returning to play again.


Sock And Awe – Map of Visitors
An unusual sign of accord between USA and France, who occupy the top two spots. Google Analytics also records “not set” for country unknown but this is much further down the chart at position 42. Middle Eastern countries can’t get enough of the Bush bashing, as you can see from the full countries PDF

All of the analytics in my blog post here were taken at around 6:15AM GMT on Thursday 18th December. As you can see, the graphs and figures plummet on the 18th because they’re not showing a full day’s stats. It may be better to disregard that day’s totals and regard all analytics as a snapshot showing qualitative insights.

Grab the ZIP file of all sockandawe.com analytics. Or view individual pages below.

Dashboard
This is the overview data.
Dashboard

Visitors
Check out Time on Site for All Visitors – the earlier visitors have much longer attention spans!
Visitors Overview
Map Overlay
New vs. Returning
Languages
Visits
Page Views
Absolute Unique Visitors
Bounce Rate
Time on Site for All Visitors

Traffic Sources
As I mentioned before, the direct traffic is by far the largest. With no time to mount an SEO campaign, Sock And Awe still captures some keyword search traffic, again thanks to the memorable name. (Google and other engines recognise matches with the domain name.) It also captures a few who mistakenly type the URL into their search bar instead of their address bar. (Incidentally, you may be wondering why my own personal blog is called, of all things, Quixotic Quisling. Well, I like to play the long game.)
Traffic Sources Overview
All Traffic Sources
Direct Traffic
Referring Sites
Search Engines
Search Keywords

Content
Content analytics are perhaps the least interesting because this site has very few pages. Although Top Content does give a hint how many people attempted to sign up for the newsletter – at least 30,000 it would appear. (After signing up, they arrived at sockandawe.com/email for a confirmation message. This folder has now been removed.) I say “attempted to sign up” because my own experience is that many people try search queries in these boxes, even despite clear labelling. Tens of thousands is still a good order of magnitude, even if half are bad. Many of the web addresses listed in Content account for framed visits (one recognisable example is somebody using Babelfish, in vain, to attempt to get a translation).
Content Report
Top Content
Top Landing Pages
Top Exit Pages
Average Pageviews

Quick word on Development Costs
According to reports, the game took a night to build. The game engine is very simple – if you think about it, it just compares the X-position of the mouse cursor (which is invisible) with the random X-position of Bush’s head graphic. If the distance is within a pre-set striking tolerance, then the whack graphic is shown. I would say the most time consuming part of the Flash game development was designing the graphics and animation.

Similarly, the bandwidth costs would be low. If you run the site through an analyser, it’s currently around 200kb of data. The site has been slightly modified to remove the subscription option and add advertising, but these are not big changes.

Discussion
Can you glean any more significant insights from these stats? You can comment or send me a message on Twitter.

Wordwhale – Fun With Anagrams Via Twitter

wordwhale

Meet the Wordwhale.

If you like solving anagrams, the Wordwhale is now pos(t)ing one daily.

Follow @wordwhale to join the lexical fun.

(You don’t need to be signed up to Twitter to try solving it. You can still view the webpage twitter.com/wordwhale to monitor what’s going on and try solving it. But if you’d like to enter and have a chance of being recognised as first to solve the anagram, you need to be signed up.)

What’s the point of Twitter?

twitter google trends 2008
Google searches for “Twitter” over time, source: Google Trends

This graph shows the huge increase in searches for the word “Twitter” on Google. It could be said to roughly correspond to the service’s popularity and importance.

Or maybe, for some of the non-adopters, it signals their rising levels of scepticism and annoyance in constantly hearing about it.

After some heavy field testing, I have discovered that Twitter is not exclusively for smug fools. Actually I have even stopped coyly referring to an update as a “Twitter post” and just started saying “tweet” like everyone else. Indeed.

Yes you ARE justified in feeling a little online service sign-up fatigue, but this is not another Facebook. The tweet hype will increase well into 2009, so you may as well try it. At least to avoid that kind of feeling of being the only person not on pills at a student disco.

Here’s a decent Twitter tutorial and here’s a persuasive intro to Twitter by Tim O’Reilly, the tech publishing overlord.

Such a medium gives tiny glimpses into the everyday. So if you were ever to meet Tim O’Reilly you could ask him about, say, his horses. That kind of question is officially not weird anymore – should it be that you find yourself stuck for an opener, meekly cowering beneath his guru beard.

The existence of a communication platform based on 140-character messages shouldn’t be shocking. Text messages have been widespread for about a decade. Yet, even among tech people, some of the admittedly valid criticism of Twitter points to this issue of brevity.

Other than being the soul of wit and all that, this is a definite limitation. But every medium has features which can manifest as weaknesses.

Nobody’s suggesting this should be the optimum or dominant form of communication between you and me. It can just augment and support what already exists and fill a niche of its own, just as conventional text messaging has done. Besides, a big part of the appeal are web links which telescope off into bigger “messages”.

As you read people’s tweets over time, you build up impressions. Twitter is months of agonising smalltalk, crushed down to the basic eigenvectors.

So I am intrigued by the pure economy of Twitter communication. It reminded me of other things – its precursors, especially other technologies.

My dad isn’t on Twitter, but when we’re apart he and I often communicate by SMS. The text message he frequently sends me is:

ok

That’s it – low fat communication with no caps, no punctuation, no salutation, no sign-off. A mere two letters and with that the most commonly recognised word in the English language.

My brother gets them too and it’s become a small point of reference in conversation between the two of us. It’s one of those trivial but cherished things that families have in common.

The fact is, because of the context and who it is, these replies from my dad always mean a lot to me. The “ok” signifies several things… I am here / I agree / No problem. It’s usually in reply to a plan or proposal from me, for example an initial text to the parents saying “hi, see you sunday, will pop round” so it’s about optimism and expectation too.

It also reminds me of the ultimate succinct exchange, when the author Victor Hugo was relaxing on holiday and used the high speed technology of the day, a telegram, to send his London publisher a single question mark. Keen to get news concerning sales of his new book Les Miserables, he received an equally terse reply. The first print run had entirely sold out and the publisher’s telegram was a single exclamation mark.

We can speculate why this took place. My theory is that the author was just too exhausted to embellish the message after the long process of getting the book finished.

Did the book REALLY sell out on the first run? Or is that fact included just to spruce up the anecdote (which I first read as a boy in Reader’s Digest)? How would Victor have reacted to the West End’s frilly-costumed musical adaptation?

We need not concern ourselves with these uncertainties. What we do know is, the messages are only rendered meaningful by the “metadata” of CONTEXT, with just enough content to work. See also: the Laconians, who stripped away all the redundancy to deliver pointed, concise, laconic comebacks.

Perhaps tellingly, the second biggest adopters of Twitter have been the Japanese, where wired openness about daily life gives rise to thousands of digital haikus per second.

We should also note that English and Japanese are currently the only interface language options on the Twitter website, although client software in different languages is available. I’ll reserve that line of enquiry for a future post.

The upshot of these examples is: we’ve long known that you can squeeze a lot of feeling or intent into a message with tiny informational content, from a round of applause to a marine distress signal. So the brevity is fine.

But what about Twitter as an echo chamber of self-referential tweets and inane signalling about Twitter itself? “Hello world.”, “I’m tweeting.”, “Which client do you favour?”, “test123” and so on? Well, the channel is open, and I think this is all possibly fine too.

Socially, amateur radio was always a marginal hobby and I guess it still exists in some corners. My awareness is largely informed by the Tony Hancock sitcom episode, The Radio Ham (although I believe enthusiasts hate this term). In reality, I’m told that much of the chatter on the airwaves was to exchange callsigns, establish contact and discuss – wait for it – the newest equipment for doing amateur radio.

Young boy riding by at high speed on a bicycle shouting repeatedly, ‘I am here.’ Perhaps the central and single message of humanity.

A Year with Swollen Appendices
Brian Eno
24 February 1995 (Diary entry in Egypt)

The last time I did a precise measurement of a message’s informational mass, I was studying a module on coding theory. We learnt how to introduce redundancy deliberately, to assist error-checking when sending data signals. It was useful but a bit on the dry side. I much prefer the riffing from people-to-people – and the joy of a communication which even, at times, celebrates itself.

Beyond YouTube

Mucking about with music video streams isn’t the only misuse of YouTube I’ve been enjoying lately.

Here’s a game called A Car’s Life which is based entirely in YouTube. Click the annotations to save the car, but be quick!

As to how it works, each level has a different video with an annotation linking to the next level. If you let any video play to the end, you’ll see the bad outcome.

It’s a very simple game but from the relative proportions of view counts from level to level, we get an indication of many people have been successful. As you’d expect not everyone proceeds and it’s lower for each successive level. But obviously we don’t know how many good players are just abandoning the game – either because they’re analysing its technical aspects, or because they’ve decided to close it and get back to work.

If you want to upload and share video, there are some good competitors to YouTube – Blip.tv, Vimeo and Viddler all spring to mind. Each seems to focus on a unique set of subtle distinctives and strengths.

But YouTube remains the leader for sheer width of content, particularly music videos. If you want to find a well known video, it’s likely to be on there.

As such it’s long been the de facto site for video and its layout has become very familiar. It’s hard to imagine this advert working on any other video site. (Keep watching…)

http://www.youtube.com/experiencewii

Perhaps a good example of a phoney site put to a good use rather than phishing? You may find that the view count is not very reliable.

Clearly the singular popularity of YouTube has led to their unique advertising deal with Nintendo here.

As other video sites grow though, some will chip away at YouTube’s lead. I wonder if there’s any scope for a dedicated video search engine which indexes them all and is impartial. After all, Google own YouTube. Can we trust the standard search box to index all the other video sites fairly and prominently? Searching for videos there is already quite hit-and-miss. Its format remains largely unchanged since its pre-YouTube days, when online video was relatively undeveloped. For video, all we’ve had from Google since then has been Google Video – but that only indexes itself and YouTube.

All I want is the old footage of Les Dawson playing The Entertainer deliberately wrong on his piano. It’s nowhere to be found.

Discreet Disco

Here are two embedded videos.

They are identical.

I’ve posted them so you can play them both – simultaneously.

Have a play around with these identical videos. Experiment.

No rules, but some things to try: use the pause/play button to synchronise the videos as close as possible. To bring them closer, just delay the video that’s ahead by a quick pause and unpause. It helps if you’re aware of the difference in visuals and clock. You should get some nice “flanging” sound effects. Then if you stagger the videos again it will make various kinds of galloping rhythm.

I discovered this recently, marvelling at the looping melodies when I opened a video twice, by accident.

It’s easy to do in an age of multiple windows. Inside your computer should be a sound card capable of mixing inputs, like a DJ mixer or the mixing desk at the back of a gig. If you’re not viewing this on a computer it might be worth a try anyway. If it fails, try opening the video in a dedicated window, twice.

It reminded me of a similar thing with vinyl turntables. Years ago, I had two 12″ copies of a tune which I tried to beat juggle to repeat and extend passages – a technique popularised by Grandmaster Flash and other hip-hop pioneers. I was at home and I wanted to see how difficult it was. After 20 minutes I gave up this line of experimentation and took to playing the records simultaneously instead.

The “flange” noises are better with vinyl, not only because of sound fidelity but because the noises are more varied. With the videos the streams are locked. On vinyl, it’s possible to introduce slight variations in the playback which make rather splendid flanging and phasing sounds with proper whooshing and everything. You can also adjust the playback speed with the pitch control – to affect the effects, as it were. I guess this would also work on other DJ set-ups such as CDJs, Serato or Ableton Live.

(Pausing and unpausing the video should be instinctive to a DJ who’s accustomed to ordinary beatmatching – it’s similar to a pitch bend downwards, which you would achieve on vinyl by slowing the rotation of a turntable.)

For the spotters, it’s worth noting that this tune is part of a lineage of remixing and revision. The Source’s original version of You Got The Love came out in 1986. Then in 1989 the remixer John Truelove used Candi Staton’s vocal (essentially the acapella version of it) to create an early example of a musical mash-up. The result is a club anthem with a longevity far in excess of the mash-ups which came later. This took some ingenuity, awareness of musical key and a bit of cheek. The track he picked for the instrumental backing was Jamie Principle and Frankie Knuckes’ Your Love with the now familiar melody and bassline. The bassline of Your Love is, in turn, reappropriated from a fragment of an italo disco track, Feels Good by Electra. According to Discogs this came out in 1982. Confusingly, we also learn from Discogs that John Truelove eventually started using The Source name himself (don’t ask me how that works).

Incidentally here’s another version of Your Love, the one that started the dual play trick off for me. This tune’s nice because the twinkly melody at the beginning lasts for a while. Muso-boffins like Steve Reich and Brian Eno would approve!

I’m sure there are other tunes that would sound interesting with this treatment.  There may even be examples of pairs of tunes which are suitable for live mixing and mashing up. It would help if they were identical speeds (down to the precise beats-per-minute count). On that note proper remixing will have to wait. But I’m working on something along these lines…

Trainspotting and the Cognitive Surplus

Here’s a video showing giant dominoes assembled from smaller dominoes. It’s pretty satisfying to watch them topple. This must have taken TIME.

There are probably thousands of videos like this. If you prefer, you can have Japanese people making mechanical versions of Super Mario. Or maybe BristleBots.

All around the web people are doing fun stuff, posting it up and inspiring others. But if you are anything like them, you may have occasionally been told that you have “too much time on your hands”. This comment is reserved for those who cultivate a special interest in something. Maybe something a little unusual or esoteric.

So you painstakingly assemble giant dominoes from smaller dominoes, do you?

Or maybe you re-enact historical battles?

Or collect stuff?

Or you know your way down a list of real ales or northern soul tunes? (Those two usually go together.)

In the United Kingdom (N55:56:58 W3:9:37) we used to be very suspicious of anoraks. By that I mean, not the coats themselves but the people – usually blokes – who wear them. If you don’t follow UK slang, anorak is almost synonymous with the word geek or nerd. They have a fixation or obsessive interest in something. (The way it usually differs from the archetypal geek is that the pursuit of an anorak doesn’t necessarily have a creative aspect.)

Back in school days, I remember showing a teacher a sprite animation engine I had programmed in C. I mentioned how it was the basis of a new computer game I was writing in my free time. I expected maybe a discussion of how I could improve or develop the idea. To my surprise, this IT teacher responded by calling me a “sad git”.

If you’re out there, Ms Hatcher, feel free to drop me a line as I’d love to show you all the fun and cool stuff I’ve been doing since then, in spite of your discouragement. Ha! No hard feelings.

What’s the implication of the original comment – berating enthusiasts for having “too much time on their hands”? I believe it’s the fact they’re nonconformists. They don’t subscribe to the work ethic that dictates you must be immediately useful all of the time. The subtext? If you’re not focusing purely on the tasks set for you, you’re not being “productive” and must be wasting your energy. Well, a counter-revolution to this poisonous idea is forming. Read Quitting The Paint Factory or almost anything from The Idler.

I can’t always explain geek or anorak behaviour. Like the appeal of jotting down endless lists of train numbers on a Saturday afternoon. But I do know that those people get a lot of joy out of it. They might retort by asking about the appeal of sitting passively in an armchair at home alone – watching, say, the TV show Friends.

These days of course, there’s a rising geek quotient in the media too. (Anyone care to plot this on a graph?) It’s what Stephen Hawking, Quentin Tarantino, Steve Jobs and Bill Gates have in common. I’m aware the latter and Microsoft (MSFT) get criticism from uber-geeks for their company’s products and dominance – but that just adds to the geek credentials for both parties. Those uber-geeks have more in common with Bill Gates than they’d care to admit. Such bitching and quarrelling is expected in any sidelined or alternative group of people. Besides, the real disdain is reserved for Steve Ballmer, on the basis that he’s a pure ruthless businessman. Importantly for them, he’s not known for writing even a single line of computer code. What a fraud eh!

The author and speaker Clay Shirky talks about society having time on its hands but he prefers to call it a cognitive surplus.

(With a surname like that, he should write for The Idler.)

Here’s an insightful speech Shirky did at some geek expo earlier this year. He defines the cognitive surplus and talks about the benefits of consuming, producing and sharing – as well as the phenomena of “lolcats” and “grown men sitting in their basement pretending to be elves”. There’s a transcript but check out the video:

The cognitive surplus has made me see our Sleeveface exploits in a new way. Not only did technology and social networking help it to spread, but people have the urge to take part because of new habits of recreation and participation. Look out for the book!

Passivity is, literally, lame. So, make sure you write your own definition of cool. Develop your interests and keep on having fun.