{"id":688,"date":"2009-10-16T21:20:52","date_gmt":"2009-10-16T20:20:52","guid":{"rendered":"https:\/\/morris.cymru\/?p=688"},"modified":"2023-07-09T21:48:32","modified_gmt":"2023-07-09T20:48:32","slug":"allforia-dy-cerddoriaeth","status":"publish","type":"post","link":"https:\/\/morris.cymru\/cy\/2009\/10\/allforia-dy-cerddoriaeth\/","title":{"rendered":"Allforia dy diwylliannau"},"content":{"rendered":"

This post is written in Welsh and is about lyrics as potential “by-products” of music which musicians could share. I don’t see many people doing this in Welsh language music. As ever, if you want the gist then Google Translate<\/a> is your friend.<\/em><\/p>\n

Ro’n i’n darllen post am isdeitlau agor<\/a> gan Fred Wilson.<\/p>\n

The larger point I am making here is that by open sourcing subtitles, we are making it easier to watch films and other forms of video that are made in other languages. People in Israel can watch TV shows and films made in the US in hebrew subtitles. People in the US can watch TV shows and films made in India in english subtitles. The possibilities go on and on. We don’t need to wait for the producers of the films to release them in foreign languages (if they ever choose to do so). We can simply get the footage we want to watch and find a subtitle for it on the Internet.<\/p><\/blockquote>\n

Darllena sylw<\/a> cyntaf gan Tox hefyd.<\/p>\n

The problem here (again) is one of intellectual property, and the completely broken ideas surrounding it. Unless there is a massive change in our IP laws, subtitle sites (open or otherwise) are going to go the way of the lyrics sites, and yet again, the obvious cultural benefits will take a backseat to the heavy-handed maneuvering of Big Content.<\/p><\/blockquote>\n

Dw i’n gwybod bod isdeitlau yn defnyddiol pan rwyt ti eisiau allforio dy ffilm i marchnadoedd eraill. Arbennigwr ffilm dw i ddim. Efallai gallai rhywun yn esbonio y ffordd gorau i weld y Hedd Wyn nesaf neu Solomon a Gaynor nesaf.<\/p>\n

Ond dw i’n nabod y byd cerddoriaeth. Ro’n i’n gweithio yn label recordiau<\/a> am pum mlynedd. Dw i wedi gadael y busnes cerddoriaeth ond nawr dw i’n cynghori busnesau cerddoriaeth weithiau. Dw i’n meddwl lot am y strategaeth gorau ers fy sgwrs yng Nghaernarfon<\/a> mis diwetha.<\/p>\n

Mae’n braf i weld Cerys Matthews<\/a> gyda dau fersiwn o’r ei albwm newydd – Don’t Look Down<\/em> a Paid Edrych I Lawr<\/em>. Ac wrth gwrs, gyda pob albwm rhyddhodd Kraftwerk llawer o fersiynau.<\/p>\n

Mae geiriau yn defnyddiol pan rwyt ti eisiau allforio dy cerddoriaeth. Pe baswn i’n rhyddhau cerddoriaeth unieithog yn y Gymraeg taswn i’n gyhoeddu’r telynegion arlein. Efallai dylet ti cyhoeddi dy geiriau ac hybu dy exportability<\/em>. (Beth yw’r gair Cymraeg yma?)<\/p>\n

Does dim rhaid i ti cyfieithu dy telynegion, gallai Google Translate<\/a> yn wneud e! Cop\u00efa’r enghraifft safle Nic Dafis<\/a>. Gallwn i wneud e gyda fy mlog. Ar hyn o bryd, dw i’n hoffi ychydig o… ffrithiant. Ha ha.<\/p>\n

Ro’n i’n defnyddio enghraifft ffilmiau. Wrth gwrs, mae sefyllfa yn eitha gwahanol yn y byd cerddoriaeth. Mae’n bosib i mwynhau cerddoriaeth heb dealltwriaeth. Mae digon o pobol yn mwynhau Sigur Ros. Neu metal<\/em> – pan dwyt ti ddim yn gallu gwrando ar geiriau! Ond fel bron popeth yma, dwedodd Super Furry Animals cyn fi gyda The International Language Of Screaming<\/em><\/a>.<\/p>\n

Beth bynnag, dylet ti rhannu<\/em> rhywbeth o gwmpas dy cerddoriaeth, dy ychwanegiadau. Efallai geiriau, efallai dy storiau da, efallai fideo, rhywbeth diddorol. Rydyn ni eisiau manylion \u00f4l-gatalog yn sicr. Fideo yn sicr.<\/p>\n

Mae’n dibynnu ar dy cynllun. Rhaid i ti cael cynllun. Dwedodd Rhys Mwyn wrtho i, rhaid i ti cael cerddoriaeth da. Dw i’n cytuno.<\/p>\n

Mae pedwar label mawr yn ofni gair fel “rhannu”. Ond does dim problem Big Content<\/em> gyda ni yn Gymraeg. Mae cwmniau cerddoriaeth yn annibynnol. Felly mae nhw yn gallu dewis y ffordd gorau, heb ofn – yn gyflym!<\/p>\n

marchnadoedd<\/em><\/span><\/div>\n

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